Archive for the ‘Carl Philipp Emanuel Bach’ Tag

Feast of Franz Joseph Haydn and Michael Haydn (March 31)   1 comment

model-of-st-stephens-cathedral-vienna

Above:  Model of St. Stephen’s Cathedral, Vienna, Austria

Image in the Public Domain

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FRANZ JOSEPH HAYDN (MARCH 31, 1732-MAY 31, 1809)

brother of

JOHANN MICHAEL HAYDN (SEPTEMBER 14, 1737-AUGUST 10, 1806)

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Composers

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The Haydn brothers (Franz Joseph and Johann Michael, often billed as “Michael Haydn”) were great composers.  They were two of twelve children of Mathias Haydn (a wheelwright and an amateur harpist) and Anna Marie Koller, of Rohrau, Austria.  The family was of German and Austrian peasant origin.

franz-joseph-haydn

Above:  Franz Joseph Haydn

Image in the Public Domain

The two brothers sang in the choir at St. Stephen’s Cathedral, Vienna; their tenures overlapped for three years.  Franz Joseph joined the choir at the age of seven years; he studied singing, learned to play the harpsichord and the violin, and was a soprano soloist.  Then, in 1749, his voice changed and he left the choir.  Johann Michael succeeded him as soloist and remained in the choir until 1755, having spent a decade there.

johann-michael-haydn

Above:  (Johann) Michael Haydn

Image in the Public Domain

From 1749 to 1757 Franz Joseph engaged in a series of youthful escapades and began to compose.  Among his influences were Carl Philipp Emanuel Bach (1714-1788).  Franz Joseph’s early compositions, some of which have not survived (at least not to our knowledge) included two Masses.

1757 was an important year in the lives of the brothers Haydn.  Franz Joseph spent the summer composing at Wenzinel Castle (near Melk), the property of Count Carl Joseph von Furnberg, of Austria.  Johann Michael became the kappelmeister at the cathedral at Grosswardein, serving for five years.

From 1759 to 1761 Franz Joseph worked as the music director to Count Ferdinand Maximilian Morzun, who had a summer castle at Lukavec, Bohemia.  On November 26 Franz Joseph married Maria Anna Keller.  The union was an unhappy and childless one.

Franz Joseph worked under the patronage of Esterhazys from 1761 to 1790.  In 1761 he became the assistant kappelmeister of the court orchestra of Prince Paul Anton Esterhazy.  The following year the Prince died.  Prince Nicolaus Joseph “the Magnificent” Esterhazy, a great patron of the arts, supported Haydn.  After Nicolaus Joseph died in 1790, Franz Joseph received a pension.  Among the composer’s students was Wolfgang Amadeus Mozart, starting in 1781.

Johann Michael lived and worked in Salzburg from 1762 until 1806, when he died.  At first he was the orchestral conductor to the Prince-Archbishop of Salzburg.  Later the composer added organist responsibilities at St. Peter’s Church to his duties.  In time Johann Michael traded organist responsibilities at St. Paul’s Church for those duties at St. Rupert’s Cathedral, Salzburg.  He married Maria Magdalena Lipp (1745-1827).  The couple had one child, a daughter who died in infancy.

Franz Joseph spent most of the remaining 19 years (1790-1809) of his life living in Vienna; he also traveled, as he did to London more than once.  Among his pupils was Ludwig von Beethoven, starting in 1790.

In the 1700s and early 1800s conventional wisdom held that Johann Michael was the better composer of the two.  Franz Joseph agreed, at least with regard to sacred works.  Franz Joseph was no slouch musically; he composed operas, symphonies, sacred works, songs, cantatas, concertos, and various instrumental works.  He also perfected the early symphonic form and invented the modern string quartet.  Among his sacred works were the Mass in Time of War (1796) and The Creation (1798), the latter work containing the great chorus “The Heavens are Telling.”  He died at Vienna on May 31, 1809, aged 77 years.

Johann Michael, composer of the Requiem (1771) and the Missa a due cori (1786), influenced Wolfgang Amadeus Mozart and Carl Maria von Weber.

Johann Michael’s reputation has had its ups and downs since his death.  His reputation as a composer has declined overall since 1806, just as his elder brother’s reputation as a composer has improved.  Johann Michael’s drinking problem has affected his personal reputation negatively.  The author of the article about him in the old Catholic Encyclopedia wrote in a judgmental tone, for example.  On the other hand, the scientific understanding of addiction has challenged old moralistic notions based on inaccurate assumptions regarding willpower.

Even church musicians and composers of sacred works have personal problems with which they wrestle.

KENNETH RANDOLPH TAYLOR

FEBRUARY 7, 2017 COMMON ERA

THE FEAST OF HELDER CAMARA, ROMAN CATHOLIC ARCHBISHOP OF OLINDA AND RECIFE

THE FEAST OF SAINT ADALBERT NIERYCHLEWSKI, ROMAN CATHOLIC PRIEST AND MARTYR

THE FEAST OF MITCHELL J. DAHOOD, ROMAN CATHOLIC PRIEST AND BIBLICAL SCHOLAR

THE FEAST OF SAINT MOSES, APOSTLE TO THE SARACENS

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Eternal God, light of the world and Creator of all that is good and lovely:

We bless your name for inspiring Franz Joseph Haydn, Johann Michael Haydn,

and all those who with music have filled us with desire and love for you;

through Jesus Christ our Savior, who with you and the Holy Spirit

lives and reigns, one God, for ever and ever.  Amen.

1 Chronicles 29:14b-19

Psalm 90:14-17

2 Corinthians 3:1-3

John 21:15-17, 24-25

–Adapted from Holy Women, Holy Men:  Celebrating the Saints (2010), page 728

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Feast of Johann Sebastian Bach, Carl Philipp Emanuel Bach, and Johann Christian Bach (March 21)   6 comments

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Above:  St. Thomas’s Church, Leipzig

Image in the Public Domain

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JOHANN SEBASTIAN BACH (MARCH 21, 1685-JULY 28, 1750)

father of

CARL PHILIPP EMANUEL BACH (MARCH 8, 1714-DECEMBER 14, 1788)

half-brother of

JOHANN CHRISTIAN BACH (SEPTEMBER 5, 1735-JANUARY 1, 1782)

Composers

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Johann Sebastian Bach is an officially recognized saint on several calendars.  The Lutheran Church–Missouri Synod and The Lutheran Church–Canada assign him the feast day of July 28, without any other composers.  The Evangelical Lutheran Church in America and the Evangelical Lutheran Church in Canada designate July 28 as the feast day for not only J. S. Bach but also Heinrich Schutz and George Frederick Handel.  The Episcopal Church, in A Great Cloud of Witnesses (2016), assigns July 28 to J. S. Bach, George Frederick Handel, and Henry Purcell.  Robert Ellsberg, All Saints:  Daily Reflections on Saints, Prophets, and Witnesses for Our Time (1997), celebrates the life of J. S. Bach on March 21.

For generations certain members of the Bach family were distinguished in creative endeavors, mostly in music.  I have chosen to focus on three of these Bachs–a father and two of his sons.

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JOHANN SEBASTIAN BACH (1685-1750)

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Image in the Public Domain

Johann Sebastian Bach, born at Eisenach on March 21, 1685, was the youngest child of Elizabeth Lammerhirt (1644-1694) and Johann Ambrosious Bach (1645-1695), a string player.  In 1695 the orphaned J. S. Bach moved in with his eldest brother, Johann Christoph Bach (1671-1721), the organist at St. George’s Church, Eisenach, and a former pupil of Johann Pachelbel.  Johann Christoph Bach also taught his youngest brother to play keyboard instruments.  J. S. Bach, who joined the boys’ choir at St. Michael’s Church, Luneburg, in 1700, studied music in the school library there.  By 1702 he was apparently a skilled organist at Sangerhausen.  Johann Sebastian did not get that job, but he did join the ducal orchestra at Weimar the following year.  Later he became the organist at St. Boniface’s Church, Arnstadt.

Life changed for J. S. Bach in 1707.  That year he became the organist at St. Blasius, Muhlhausen.  He also married Maria Barbara Bach (1694-1720).  The couple went on to have seven children, including Carl Philipp Emanuel Bach (1714-1788).  J. S. Bach resigned his position at Muhlhausen in 1708 and accepted a new job as the court organist at Weimar.  In 1714 J. S. Bach became the concert master, with the responsibility of composing a cantata each month.  Two years later, a less qualified man became the kappelmeister, a position J. S. Bach wanted, at Weimar.  Our discontented saint departed the court in 1717.  He became the kappelmeister at Kothen, serving until 1723.  Maria Barbara died suddenly on July 4, 1720.  J. S. Bach married his second wife, Anna Magadalena Wilcken (1701-1760), on December 3, 1721.  The couple went on to have 13 children, including Johann Christian Bach (1735-1795).

In 1723 J. S. Bach accepted the position of cantor at Thomas’s Church, Lepizig.  His responsibilities included composing, teaching, and leading music, as well as providing musicians for that and three other congregations (New Church, St. Peter’s Church, and St. Nicholas’s Church).  From 1729 to 1737 and 1739 to 1741 J. S. Bach directed the Collegium Musicum, founded by Telemann in 1704, at Leipzig.  In 1736 he became the court composer at Leipzig.  Later in life J. S. Bach spent much time traveling; some of the time he was in the court of Frederick II “the Great” of Prussia, in Berlin.

J. S. Bach died, nearly blind and aged 65 years, at Leipzig on July 28, 1750.  His final act was to dictate “Before Thy Throne I Come.”

For J. S. Bach composing music, whether overtly sacred or not, was an act of praising God, not of glorifying himself.  He composed thousands of works yet saw only ten of them published.  Some of his compositions, unfortunately, have not survived to today.  J. S. Bach, a Lutheran church musician, became engaged in arguments regarding music with some Pietistic Lutherans, who thought that his music was too elaborate.  (Pietists!)  Most of our saint’s compositions remained forgotten until the 1800s.  In 1829 Felix Mendelssohn (1809-1847) started a J. S. Bach revival.  J. S. Bach’s compositions included cantatas, motets, Latin liturgical works, Passions, oratorios, chorales, chamber music, orchestral music, canons, works for keyboard instruments, and works for the lute.  Among his greatest sacred works were the St. Matthew Passion, the St. John Passion, the Christmas Oratorio, the Mass in B Minor, and the Cantata #80. (I prefer a modern performance of the latter work; period instruments do not blow the roof off the building, so to speak.)

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CARL PHILIPP EMANUEL BACH (1714-1788)

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Image in the Public Domain

Carl Philipp Emanuel Bach, born at Weimar on March 8, 1714, was Emanuel to those who knew him well.  Georg Philipp Telemann was his godfather.  C. P. E. Bach, who learned music from his father, studied law at Frankfurt, graduating in 1735.  From 1740 to 1767 C. P. E. Bach was the harpsichordist to Frederick II “the Great” of Prussia.  Frederick II’s insistence upon subservience in musicians bothered our saint, who was finally able to resign and become the kappelmeister at Hamburg, succeeding Telemann.  Meanwhile, C. P. E. Bach had married Johanna Maria Dannemann in 1744.  Three of their children survived childhood.

C. P. E. Bach, worthy to be his father’s successor, was a renowned composer, teacher, and performer of the harpsichord and the clavichord.  His Essay on the True Art of Playing Keyboard Instruments (Part I, 1753; Part II, 1762) influenced Franz Joseph Haydn (who called it “the school of schools”), Wolfgang Amadeus Mozart, and Ludwig von Beethoven.  C.  P. E. Bach’s compositions included symphonies, concertos, chamber music, sonatas, fantasias, dances, fugues, and sacred music.  His sacred music included a Magnificat and 21 Passions.

C. P. E. Bach died, aged 74 years, at Hamburg on December 14, 1788.

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JOHANN CHRISTIAN BACH (1735-1782)

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johann-christian-bach

Image in the Public Domain

Johann Christian Bach, born at Leipzig on September 5, 1735, was a half-brother of C. P. E. Bach.  J. C. Bach, trained in music by his father’s cousin, Johann Elias Bach (1705-1755), went to work with C. P. E. Bach in 1750, after the death of J. S. Bach.  Five years later J. C. Bach left for Italy; there he studied at Bologna.  His conversion from Lutheranism to Roman Catholicism offended much of his family.  From 1760 to 1762 he was the organist at the Basilica-Cathedral of the Nativity of St. Mary, Milan.

J. C. Bach spent most of the last two decades of his life in England.  There he preferred that people call him “John Bach.”  In 1762 he became the composer to the King’s theatre in London; he wrote Italian operas for it.  Later John Bach became the music master to Queen Charlotte (consort of King George III) and her children.  In 1773 John Bach married Italian singer Cecilia Grassi.  The couple experienced severe financial difficulties toward the end of his life; they were the victims of embezzlement.  The composer died, aged 46 years, in London, on January 1, 1782.  Queen Charlotte paid his estate’s debts and provided Cecilia with a pension.

J. C. Bach’s compositions included sonatas, polonaises, minuets, chamber quartets, symphonies, concertos, operas, oratorios, and various sacred works, including a Requiem and settings of the Magnificat, the Salve Regina, the Dies Irae, the Gloria, and the Te Deum.

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The music of these great composers has enriched the lives of many people, including me.

KENNETH RANDOLPH TAYLOR

JANUARY 24, 2017 COMMON ERA

THE FEAST OF THE ORDINATION OF FLORENCE LI TIM-OI, FIRST FEMALE PRIEST IN THE ANGLICAN COMMUNION

THE FEAST OF SAINT ANGELA MERICI, FOUNDER OF THE COMPANY OF SAINT URSULA

THE FEAST OF THE MARTYRS OF PODLASIE, 1874

THE FEAST OF SAINT SURANUS OF SORA, ROMAN CATHOLIC ABBOT AND MARTYR

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Eternal God, light of the world and Creator of all that is good and lovely:

We bless your name for inspiring

Johann Sebastian Bach, Carl Philipp Emanuel Bach, and Johann Christian Bach,

and all those who with music have filled us with desire and love for you;

through Jesus Christ our Savior, who with you and the Holy Spirit

lives and reigns, one God, for ever and ever.  Amen.

1 Chronicles 29:14b-19

Psalm 90:14-17

2 Corinthians 3:1-3

John 21:15-17, 24-25

–Adapted from Holy Women, Holy Men:  Celebrating the Saints (2010), page 728

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