Archive for the ‘Claudio Monteverdi’ Tag

Feast of Antonio Caldara (December 29)   Leave a comment

antonio-caldara

Above:  Antonio Caldara

Image in the Public Domain

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ANTONIO CALDARA (1670-DECEMBER 28, 1736)

Roman Catholic Composer and Musician

“Classic” is a much overused and misused word.  I roll my eyes whenever I hear or read about an “instant classic,” an oxymoron at least as annoying as “new tradition.”  A classic has become a classic by enduring the ravages of time, just as a tradition is inherently old.

The music of Antonio Caldara is classic.

Caldara, born in Venice in 1670, was a son of Giuseppe Caldara, a violinist.  Young Antonio learned several instruments, helped to found the Guild of St. Cecilia in 1687, and sang in the choir of St. Mark’s, Basilica.  Caldara left Venice in 1700 to become the kapellmeister at the court of Ferdinando Carlo, the Duke of Mantua.  Thus our saint accepted a position Claudio Monteverdi (1567-1643) had once held.  By 1709 Caldara worked in the same capacity for Francesco Maria Ruspoli, Prince of Cerveteri, at Rome.  There, in 1711, our saint married contralto Caterina Petrolli.  Five years later Caldara started his last position, at the imperial Hapsburg court at Vienna.  There he died, aged 66 years, on December 28, 1736.

The body of Caldara’s work included operas, sonatas, cantatas, and motets.  Unfortunately, many of his compositions have not survived.  Many of his works were secular, but many others were religious.  Certain subsequent great composers admired his skill and respected him.  These admirers included Johann Sebastian Bach, George Phillip Telemann, Franz Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig von Beethoven, and Johannes Brahms.  Caldara’s reputation among musicologists has become one of being among the greatest composers of liturgical music for the Roman Catholic Church.

I listen to our saint’s Missa Dolorosa and Christmas Cantata and agree.  I also listen to his Cello Sonatas and agree that he was among the greatest composers period.

KENNETH RANDOLPH TAYLOR

NOVEMBER 6, 2016 COMMON ERA

ALL SAINTS’ SUNDAY

THE FEAST OF CHRISTIAN GREGOR, FATHER OF MORAVIAN CHURCH MUSIC

THE FEAST OF GIOVANNI GABRIELI AND HANS LEO HASSLER, COMPOSERS AND ORGANISTS; AND CLAUDIO MONTEVERDI AND HEINRICH SCHUTZ, COMPOSERS AND MUSICIANS

THE FEAST OF SAINT THEOPHANE VENARD, ROMAN CATHOLIC PRIEST, MISSIONARY, AND MARTYR IN VIETNAM

THE FEAST OF WILLIAM TEMPLE, ARCHBISHOP OF CANTERBURY

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Eternal God, light of the world and Creator of all that is good and lovely:

We bless your name for inspiring Antonio Caldara and all those

who with music have filled us with desire and love for you;

through Jesus Christ our Savior, who with you and the Holy Spirit

lives and reigns, one God, for ever and ever.  Amen.

1 Chronicles 29:14b-19

Psalm 90:14-17

2 Corinthians 3:1-3

John 21:15-17, 24-25

–Adapted from Holy Women, Holy Men:  Celebrating the Saints (2010), page 728

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Feast of Giovanni Gabrieli, Hans Leo Hassler, Claudio Monteverdi, and Heinrich Schutz (November 6)   6 comments

Flag of the Most Serene Republic of Venice

Above:  Flag of the Most Serene Republic of Venice

Image in the Public Domain

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GIOVANNI GABRIELI (1557-AUGUST 12, 1612)

Composer and Organist

teacher of

HANS LEO HASSLER (BAPTIZED OCTOBER 26, 1564-AUGUST 19, 1612)

Composer and Organist

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CLAUDIO MONTEVERDI (BAPTIZED MAY 15, 1567-NOVEMBER 29, 1643)

Composer and Musician

teacher of

HEINRICH SCHUTZ (OCTOBER 8/18, 1585-NOVEMBER 6, 1672)

Composer and Musician

Lutheran Feast Day = July 28

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With this post I add four composers of church music to my Ecumenical Calendar of Saints’ Days and Holy Days.  Classical music is my favorite genre of audio input.  For most of my life I have derived much spiritual benefit from classical church music, including certain works by some of these four composers.

Giovanni Gabrieli, born in Venice, the Most Serene Republic of Venice, in 1557, was a nephew of Andrea Gabrieli (circa 1520-1586), a composer and organist.  Andrea, famous for his madrigals and sacred works, served as the second organist (1566-1585) then primary composer (1585-1586) at St. Mark’s Basilica, Venice.  Giovanni, who studied music under the direction of his uncle, succeeded him as the second organist (in 1585) and as primary composer (in 1586), holding both posts for the rest of his life.  In 1584 and 1585 Giovanni and his uncle taught Hans Leo Hassler (1564-1612).  The younger Gabrieli also befriended Hassler.  Giovanni, whose major works include the Sacre Symphoniae, composed the first truly orchestral sacred music, with spatially separated choirs, intended for performance at St. Mark’s Basilica.  He also edited and preserved many of his uncle’s compositions.  Giovanni, ill for the last six years of his life, died at Venice on August 12, 1612.  He was 54 or 55 years old.

Hans Leo Hassler, baptized at Nuremberg, on October 26, 1564, became the most German composer of his time.  His father and first music teacher was Isaak Hassler (died in 1591), an organist.  Hans studied music with the Gabrielis in Venice in 1584 and 1585.  Back in Germany, Hans became the organist to the Fugger family, bankers in Augsburg.  Holy Roman Emperor Rudolf II (reigned 1576-1612) made the composer a nobleman in 1591.  Nine years later Hassler became the director of music for the city of Augsburg.  The following year he transferred to Nuremberg, to fill a similar position.  Finally, in 1608, Hassler became the organist to Christian II (reigned 1591-1611), the Elector of Saxony.  The composer stayed on in that capacity in the service of Elector Johann Georg I (reigned 1611-1656).  Our saint, a Lutheran, composed madrigals as well as sacred music in both the Roman Catholic and Protestant traditions.  He died of tuberculosis at Frankfurt on August 19, 1612.  He was 47 years old.

Claudio Monteverdi, baptized on May 15, 1567, at Cremona, Duchy of Milan (now Cremona, Lombardy, Italy), became an influential composer.  He studied music under Mark Antonio Ingegneri (circa 1545-1592), choirmaster at the Cathedral of the Assumption of the Blessed Virgin Mary.  In 1590 Monteverdi became a string player in the service of Vincenzo I (reigned 1587-1612), Duke of Mantua.  The composer and the duke traveled to Hungary in 1595 and the Low Countries in 1599.  Also in 1599, Monteverdi married Claudia Cattaneo (died in 1607), a singer.  They had two sons and a daughter.  One son became a Carmelite friar and a chorister at St. Mark’s Basilica, Venice.  The other son, a doctor, became a target of the Inquisition in 1627.  Fortunately, the Inquisition acquitted him of charges of heresy the following year.  Duke Vincenzo I promoted Monteverdi to the post of director of music at the ducal court.  In 1612, however, Duke Francesco IV (reigned in 1612), citing the necessity of budget cuts, terminated Monteverdi’s employment.  The composer served as choir master at St. Mark’s Basilica, Venice, from 1613 to 1643 (his death), becoming a priest in 1632.

Monteverdi was an influential composer during his lifetime and afterward.  He composed madrigals, motets, operas, and sacred music.  L’Orfeo (1607) has become the oldest opera still performed.  The music to some of his operas has not survived, unfortunately.  Monteverdi also wrote settings of the Mass and of vespers.  Especially notable was Vespro della Beata Vergine (1610), dedicated to Pope Paul V (reigned 1605-1621).

Monteverdi led a frequently unhappy life yet he composed much fairly light music.  That life, the last few years of which he spent in illness, ended at Venice on November 29, 1643.  He was 76 years old.

The birth date of Heinrich Schutz was October 8, 1585 on the Julian Calendar and October 18, 1585, on the Gregorian Calendar.  The site of that debut was Kostritz, Thuringia.  He became the greatest German composer prior to Johann Sebastian Bach (1685-1750).  The son of Euphrosyne Bieger and Christoph Schutz (the manager of an inn) became a chorister at Kassel, under the patronage of Maurice the Learned (reigned 1592-1627), the Landgrave of Hesse-Kessel.  Schutz studied law at the University of Marburg in 1608 and 1609.  Then, in 1609-1612, he, financed by Maurice the Learned, studied music at Venice, where Giovanni Gabrieli was his teacher.  Schutz studied law at Leipzig, starting in 1613, but accepted Maurice’s offer to become the second organist at the court at Hesse.

Starting in 1614, Schutz began to work primarily for the Electors of Saxony, starting with Johann Georg I (reigned 1611-1656).  The composer began by supervising the music of the baptism of Johann Georg’s son.  Next Schutz went to work in the electoral chapel at Dresden.  In 1619 he married Magdalene Wildeck.  The couple had two daughters.  In 1628 Schutz visited Venice, where he studied under Claudio Monteverdi.  Then he returned to Dresden and the electoral court, but left after three years, due to the combination of plague and the ravages of the Thirty Years’ War (1618-1648).  In 1633-1635 Schutz served as the kappelmeister at the Danish royal court when Christian IV (reigned 1588-1648) was the sovereign.  Then the composer returned to the electoral court at Dresden, where he remained for the rest of his life, despite his expressed wishes to leave.  Schutz died after a stroke, on November 6, 1672.  He was 87 years old.

Schutz left and impressive musical legacy, including madrigals, sacred works, and operas.  Daphne (1627) was the first German opera.  The score has become lost to history, unfortunately.  He also composed a German requiem mass, Musikalische Exequien (1636).  Other sacred works included a Christmas oratorio (1664) and settings of the Passion narratives from the Gospels of Matthew, Luke, and John.

These composers left a living legacy, one which a person can access via technology easily and legally.  Doing so will prove spiritually beneficial to he or she who really listens to those works and inwardly digests them.

KENNETH RANDOLPH TAYLOR

AUGUST 12, 2016 COMMON ERA

THE FEAST OF THADDEUS STEVENS, U.S. ABOLITIONIST, CONGRESSMAN, AND WITNESS FOR CIVIL RIGHTS

THE FEAST OF SARAH FLOWER ADAMS, ENGLISH UNITARIAN HYMN WRITER; AND HER SISTER, ELIZA FLOWER, ENGLISH UNITARIAN COMPOSER

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Almighty God, beautiful in majesty, majestic in holiness:

You have shown us the splendor of creation in the work of your servants

Giovanni Gabrielli, Hans Leo Hassler, Claudio Monteverdi, and Heinrich Schutz.

Teach us to drive from the world all chaos and disorder, that our eyes may behold your glory,

and that at last everyone may know the inexhaustible richness of our new creation in Jesus Christ

our Lord, who lives and reigns with you and the Holy Spirit, one God, now and forever.  Amen.

Isaiah 28:5-6 or Hosea 14:5-8 or 2 Chronicles 20:20-21

Psalm 96

Philippians 4:8-9 or Ephesians 18b-20

Matthew 13:44-52

–Adapted from Evangelical Lutheran Worship (2006), page 61

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