Archive for the ‘Johann Sebastian Bach’ Tag

Feast of Antonio Vivaldi (July 28)   Leave a comment

Above:  Antonio Vivaldi

Image in the Public Domain

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ANTONIO LUCIO VIVALDI (MARCH 4, 1679-JULY 28, 1741)

Italian Roman Catholic Priest, Composer, and Violinist

“The Red Priest”

The volume of Antonio Vivaldi‘s output as a composer is staggering, but biographical information is much less plentiful.  (The catalog of our saint, who influenced Johann Sebastian Bach, includes concerti (including The Four Seasons), various choral works (many of them sacred), and about 40 operas.

Vivaldi came from a musical family.  He, born in Venice on March 4, 1679, first studied music under his father, Giovanni Battista Vivaldi, a violinist at St. Mark’s, Venice.  Our saint, apparently a redhead, studied music under Giovanni Legrenzi.

Vivaldi, from March 1703 a priest, spent much of his time traveling in Europe.  From 1703 to 1740 he had an association with the Ospedale della Pietà, a home for abandoned girls.  The institution had one of the finest orchestras in Italy.  Vivaldi composed hundreds of works for that orchestra.  The asthmatic priest and violin virtuoso traveled, though, spending 1719-1722 in Vienna and 1737-1738 in Amsterdam, for example.  By 1735 Vivaldi was back in Venice as the maestro di concerti at the Ospedale for a second time, but he was back in Verona two years later.  Frequently over the years Vivaldi visited Venice, where he produced many operas.  He returned to Vienna in 1740 to seek employment in the imperial court.  Vivaldi, aged 64 years, died in that city on July 28, 1741.

Vivaldi’s musical legacy continues to enrich the world, fortunately.

KENNETH RANDOLPH TAYLOR

JUNE 10, 2018 COMMON ERA

PROPER 5:  THE THIRD SUNDAY AFTER PENTECOST, YEAR B

THE FEAST OF SAINT JAMES OF NISIBIS, BISHOP; AND SAINT EPHREM OF EDESSA, “THE HARP OF THE HOLY SPIRIT”

THE FEAST OF SAINTS GETULIUS, AMANTIUS, CAERAELIS, AND PRIMITIVUS, MARTYRS AT TIVOLI, 12O; AND SAINT SYMPHOROSA OF TIVOLI, MARTYR

THE FEAST OF SAINT LANDERICUS OF PARIS, ROMAN CATHOLIC BISHOP

THE FEAST OF THOR MARTIN JOHNSON, U.S. MORAVIAN CONDUCTOR AND MUSIC DIRECTOR

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Almighty God, beautiful in majesty, majestic in holiness:

You have shown us the splendor of creation in the work of your servant Antonio Vivaldi.

Teach us to drive from the world all chaos and disorder,

that our eyes may behold your glory,

and that at last everyone may know the inexhaustible richness of your new creation in Jesus Christ our Lord,

who lives and reigns with you and the Holy Spirit, one God, now and for ever.  Amen.

Isaiah 28:5-6 or Hosea 14:5-8 or 2 Chronicles 20:20-21

Psalm 96

Philippians 4:8-9 or Ephesians 5:18b-20

Matthew 13:44-52

–Adapted from Evangelical Lutheran Worship (2006), 61

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Feast of Dietrich Buxtehude (May 9)   Leave a comment

Above:  St. Mary’s Church, Lübeck, 1890

Image Source = Library of Congress

Reproduction Number = LC-DIG-ppmsca-00659

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DIETRICH BUXTEHUDE (CIRCA 1637-MAY 9, 1707)

Lutheran Organist and Composer

Dietrich Buxtehude came from a musical background.  He, born in Hälsingborg, Sweden, circa 1637, was son of Johann Buxtehude, organist at that city from 1638 to 1641 then at Helsingör, Denmark, from 1642 to 1671.  Johann presumably taught his son.  Our saint worked as an organist at St. Mary’s Church, Hälsingborg, in 1657-1658, at St. Mary’s Church, Helsingör, from 1660 to 1668, and at St. Mary’s Church, Lübeck, Schleswig-Holstein (now in Germany), from 1668 until his death.

Buxtehude, upon assuming his duties at Lübeck in 1668, married Anna Tunder, daughter of Franz Tunder, the previous organist.  The couple had five daughters.  Those duties were to perform service music, to compose music for weddings and funerals of members of prominent merchant families, and to compose music for public festivals.  As our saint aged, candidates for his job visited him.  In 1703, for example, George Frederick Handel sought the position yet balked at the condition that he marry one of Buxtehude’s daughters.  Two years later Johann Sebastian Bach, who walked 50 miles to hear Buxtehude play, likewise withdrew his application for the same reason.

Buxtehude died, aged 69 or 70 years, at Lübeck on May 9, 1707.  He had written many compositions, both sacred and secular.  Many of these works remained lost until the twentieth century.  Others have remained lost, unfortunately.  Our saint’s compositions, which influenced J. S. Bach, ranged from the liturgical to the civic.  There were works for voices and for various instruments, such as the organ and the harpsichord.  More than 100 cantatas, some of them sacred, have survived.

Hopefully more compositions by Buxtehude will surface.

KENNETH RANDOLPH TAYLOR

OCTOBER 12, 2017 COMMON ERA

THE FEAST OF MARTIN DOBER, MORAVIAN BISHOP AND HYMN WRITER; JOHANN LEONHARD DOBER, MORAVIAN MISSIONARY AND BISHOP; AND ANNA SCHINDLER DOBER, MORAVIAN MISSIONARY AND HYMN WRITER

THE FEAST OF EDITH CAVELL, NURSE AND MARTYR

THE FEAST OF SAINT KENNETH OF SCOTLAND, ROMAN CATHOLIC MISSIONARY

THE FEAST OF SAINT NECTARIUS OF CONSTANTINOPLE, ARCHBISHOP

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Almighty God, beautiful in majesty and majestic in holiness,

who teaches us in Holy Scriptures to sing your praises and who gave your

musician Dietrich Buxtehude grace to show forth your glory in his music:

Be with all those who write or make music for your people,

that we on earth may glimpse your beauty and know the

inexhaustible riches of your new creation in Jesus Christ our Savior;

who lives and reigns with you and the Holy Spirit, one God, for ever and ever.  Amen.

2 Chronicles 7:1-6

Psalm 150

Colossians 2:2-6

Luke 2:8-14

–Adapted from Holy Women, Holy Men:  Celebrating the Saints (2010), page 491

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Feast of George Frederick Handel (April 15)   4 comments

Above:  Handel

Image in the Public Domain

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GEORGE FREDERICK HANDEL (FEBRUARY 23, 1685 OLD STYLE/MARCH 5, 1685 NEW STYLE-APRIL 14, 1759)

Composer

Also known as Georg Friedrich Handel and George Frideric Handel

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I should be sorry if I only entertained them. I wish to make them better.

–Handel

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The feast day of this saint in The Episcopal Church, the Evangelical Lutheran Church in America, and the Evangelical Lutheran Church in Canada is July 28.  The Episcopal Church adds Johann Sebastian Bach and Henry Purcell to that feast.  The ELCA/ELCIC version of the feast is Heinrich Schutz, J. S. Bach, and G. F. Handel.  My strategy in this matter is to break those two feasts apart, as I have begun to do.

Handel was a child prodigy.  He was a child of the 63-year-old Georg Handel (a barber-surgeon) and Dorothea Taust, of Halle.  Our saint, born on February 23, 1685 (Julian Calendar)/March 5, 1685 (Gregorian Calendar), played the organ at the ducal court at Weissenfells at the tender age of eight years.  The following year Handel began to study composition and various instruments under Friedrich Wilhelm Zachau, an organist at Halle.  By the age of ten years Handel had at least six sonatas for oboe and continue to his credit.

Georg Handel, who died in 1697,  wanted our saint to become an attorney.  So it came to pass that young Handel studied law at the University of Halle.  Our saint completed that course of study, per the wishes of his late father, although he had begun to support himself as a church musician.  Handel, although a Lutheran, was organist at a Reformed church.

Handel became a musician and composer.  Among his friends was composer Georg Philipp Telemann (1681-1767), whom he met in college.  From 1703 to 1706 Handel worked in Hamburg, a center of German opera.  He played the violin and the harpsichord in the opera orchestra there.  Our saint also wrote the St. John Passion and this first two operas (Almira and Nero) at Hamburg.

Handel spent 1706-1710 in Italy.  There he visited Florence, Rome, Naples, and Venice, met major Italian composers, and composed major works, including operas.

After completing his Italian tour Handel went to work as the musical director for Georg Ludwig, the Elector of Hanover (and, starting in 1714, King George I of Great Britain).  Our saint visited London, where he debuted his opera Rinaldo, in 1711.  The following year he settled in that city.  In 1726 he became a naturalized British subject.

Handel was a great composer.  He and J. S. Bach, who was unlike him in many ways, wrote much of the best music of the Baroque Era.  The great Franz Joseph Haydn (1732-1809), citing Messiah (1741), declared that Handel was “the master of us all.”  Handel’s vast catalog of compositions included instrumental and vocal music, from the Water Music to operas to oratorios on Biblical topics (Messiah, Judas Maccabaeus, Samson, Esther, Israel in Egyptet cetera).

Handel, a lifelong bachelor, enjoyed life and lived it well.  The man who demonstrated the ability to speak three languages in the same sentence was generous of spirit and gave liberally to charities; he had much to share with the less fortunate.  He, although a solitary figure, enjoyed parties, good food, and fine wine.  He did not hold grudges and, when he realized that he had caused offense, was quick to apologize.

Handel died in London on April 14, 1759, aged 74 years.  The site of his burial was Westminster Abbey.

I intend no disrespect to lawyers when I write that it is fortunate for the world that Handel became a composer, not an attorney.

KENNETH RANDOLPH TAYLOR

JUNE 28, 2017 COMMON ERA

THE FEAST OF HUGH THOMSON KERR, SR., U.S. PRESBYTERIAN MINISTER AND LITURGIST; AND HUGH THOMSON KERR, JR., U.S. PRESBYTERIAN MINISTER, SCHOLAR, AND THEOLOGIAN

THE FEAST OF SAINTS PLUTARCH, MARCELLA, POTANOMINAENA, AND BASTILDES OF ALEXANDRIA, MARTYRS

THE FEAST OF RANDOLPH ROYALL CLAIBORNE, JR., EPISCOPAL DIOCESE OF ATLANTA

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Almighty God, beautiful in majesty and majestic in holiness,

who teaches us in Holy Scriptures to sing your praises and who gave your

musician George Frederick Handel grace to show forth your glory in his music:

Be with all those who write or make music for your people,

that we on earth may glimpse your beauty and know the

inexhaustible riches of your new creation in Jesus Christ our Savior;

who lives and reigns with you and the Holy Spirit, one God, for ever and ever.  Amen.

2 Chronicles 7:1-6

Psalm 150

Colossians 2:2-6

Luke 2:8-14

–Adapted from Holy Women, Holy Men:  Celebrating the Saints (2010), page 491

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Feast of Johann Sebastian Bach, Carl Philipp Emanuel Bach, and Johann Christian Bach (March 21)   4 comments

st-thomas-church-leipzig

Above:  St. Thomas’s Church, Leipzig

Image in the Public Domain

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JOHANN SEBASTIAN BACH (MARCH 21, 1685-JULY 28, 1750)

father of

CARL PHILIPP EMANUEL BACH (MARCH 8, 1714-DECEMBER 14, 1788)

half-brother of

JOHANN CHRISTIAN BACH (SEPTEMBER 5, 1735-JANUARY 1, 1782)

Composers

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Johann Sebastian Bach is an officially recognized saint on several calendars.  The Lutheran Church–Missouri Synod and The Lutheran Church–Canada assign him the feast day of July 28, without any other composers.  The Evangelical Lutheran Church in America and the Evangelical Lutheran Church in Canada designate July 28 as the feast day for not only J. S. Bach but also Heinrich Schutz and George Frederick Handel.  The Episcopal Church, in A Great Cloud of Witnesses (2016), assigns July 28 to J. S. Bach, George Frederick Handel, and Henry Purcell.  Robert Ellsberg, All Saints:  Daily Reflections on Saints, Prophets, and Witnesses for Our Time (1997), celebrates the life of J. S. Bach on March 21.

For generations certain members of the Bach family were distinguished in creative endeavors, mostly in music.  I have chosen to focus on three of these Bachs–a father and two of his sons.

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JOHANN SEBASTIAN BACH (1685-1750)

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johann-sebastian-bach

Image in the Public Domain

Johann Sebastian Bach, born at Eisenach on March 21, 1685, was the youngest child of Elizabeth Lammerhirt (1644-1694) and Johann Ambrosious Bach (1645-1695), a string player.  In 1695 the orphaned J. S. Bach moved in with his eldest brother, Johann Christoph Bach (1671-1721), the organist at St. George’s Church, Eisenach, and a former pupil of Johann Pachelbel.  Johann Christoph Bach also taught his youngest brother to play keyboard instruments.  J. S. Bach, who joined the boys’ choir at St. Michael’s Church, Luneburg, in 1700, studied music in the school library there.  By 1702 he was apparently a skilled organist at Sangerhausen.  Johann Sebastian did not get that job, but he did join the ducal orchestra at Weimar the following year.  Later he became the organist at St. Boniface’s Church, Arnstadt.

Life changed for J. S. Bach in 1707.  That year he became the organist at St. Blasius, Muhlhausen.  He also married Maria Barbara Bach (1694-1720).  The couple went on to have seven children, including Carl Philipp Emanuel Bach (1714-1788).  J. S. Bach resigned his position at Muhlhausen in 1708 and accepted a new job as the court organist at Weimar.  In 1714 J. S. Bach became the concert master, with the responsibility of composing a cantata each month.  Two years later, a less qualified man became the kappelmeister, a position J. S. Bach wanted, at Weimar.  Our discontented saint departed the court in 1717.  He became the kappelmeister at Kothen, serving until 1723.  Maria Barbara died suddenly on July 4, 1720.  J. S. Bach married his second wife, Anna Magadalena Wilcken (1701-1760), on December 3, 1721.  The couple went on to have 13 children, including Johann Christian Bach (1735-1795).

In 1723 J. S. Bach accepted the position of cantor at Thomas’s Church, Lepizig.  His responsibilities included composing, teaching, and leading music, as well as providing musicians for that and three other congregations (New Church, St. Peter’s Church, and St. Nicholas’s Church).  From 1729 to 1737 and 1739 to 1741 J. S. Bach directed the Collegium Musicum, founded by Telemann in 1704, at Leipzig.  In 1736 he became the court composer at Leipzig.  Later in life J. S. Bach spent much time traveling; some of the time he was in the court of Frederick II “the Great” of Prussia, in Berlin.

J. S. Bach died, nearly blind and aged 65 years, at Leipzig on July 28, 1750.  His final act was to dictate “Before Thy Throne I Come.”

For J. S. Bach composing music, whether overtly sacred or not, was an act of praising God, not of glorifying himself.  He composed thousands of works yet saw only ten of them published.  Some of his compositions, unfortunately, have not survived to today.  J. S. Bach, a Lutheran church musician, became engaged in arguments regarding music with some Pietistic Lutherans, who thought that his music was too elaborate.  (Pietists!)  Most of our saint’s compositions remained forgotten until the 1800s.  In 1829 Felix Mendelssohn (1809-1847) started a J. S. Bach revival.  J. S. Bach’s compositions included cantatas, motets, Latin liturgical works, Passions, oratorios, chorales, chamber music, orchestral music, canons, works for keyboard instruments, and works for the lute.  Among his greatest sacred works were the St. Matthew Passion, the St. John Passion, the Christmas Oratorio, the Mass in B Minor, and the Cantata #80. (I prefer a modern performance of the latter work; period instruments do not blow the roof off the building, so to speak.)

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CARL PHILIPP EMANUEL BACH (1714-1788)

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cpe-bach

Image in the Public Domain

Carl Philipp Emanuel Bach, born at Weimar on March 8, 1714, was Emanuel to those who knew him well.  Georg Philipp Telemann was his godfather.  C. P. E. Bach, who learned music from his father, studied law at Frankfurt, graduating in 1735.  From 1740 to 1767 C. P. E. Bach was the harpsichordist to Frederick II “the Great” of Prussia.  Frederick II’s insistence upon subservience in musicians bothered our saint, who was finally able to resign and become the kappelmeister at Hamburg, succeeding Telemann.  Meanwhile, C. P. E. Bach had married Johanna Maria Dannemann in 1744.  Three of their children survived childhood.

C. P. E. Bach, worthy to be his father’s successor, was a renowned composer, teacher, and performer of the harpsichord and the clavichord.  His Essay on the True Art of Playing Keyboard Instruments (Part I, 1753; Part II, 1762) influenced Franz Joseph Haydn (who called it “the school of schools”), Wolfgang Amadeus Mozart, and Ludwig von Beethoven.  C.  P. E. Bach’s compositions included symphonies, concertos, chamber music, sonatas, fantasias, dances, fugues, and sacred music.  His sacred music included a Magnificat and 21 Passions.

C. P. E. Bach died, aged 74 years, at Hamburg on December 14, 1788.

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JOHANN CHRISTIAN BACH (1735-1782)

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johann-christian-bach

Image in the Public Domain

Johann Christian Bach, born at Leipzig on September 5, 1735, was a half-brother of C. P. E. Bach.  J. C. Bach, trained in music by his father’s cousin, Johann Elias Bach (1705-1755), went to work with C. P. E. Bach in 1750, after the death of J. S. Bach.  Five years later J. C. Bach left for Italy; there he studied at Bologna.  His conversion from Lutheranism to Roman Catholicism offended much of his family.  From 1760 to 1762 he was the organist at the Basilica-Cathedral of the Nativity of St. Mary, Milan.

J. C. Bach spent most of the last two decades of his life in England.  There he preferred that people call him “John Bach.”  In 1762 he became the composer to the King’s theatre in London; he wrote Italian operas for it.  Later John Bach became the music master to Queen Charlotte (consort of King George III) and her children.  In 1773 John Bach married Italian singer Cecilia Grassi.  The couple experienced severe financial difficulties toward the end of his life; they were the victims of embezzlement.  The composer died, aged 46 years, in London, on January 1, 1782.  Queen Charlotte paid his estate’s debts and provided Cecilia with a pension.

J. C. Bach’s compositions included sonatas, polonaises, minuets, chamber quartets, symphonies, concertos, operas, oratorios, and various sacred works, including a Requiem and settings of the Magnificat, the Salve Regina, the Dies Irae, the Gloria, and the Te Deum.

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The music of these great composers has enriched the lives of many people, including me.

KENNETH RANDOLPH TAYLOR

JANUARY 24, 2017 COMMON ERA

THE FEAST OF THE ORDINATION OF FLORENCE LI TIM-OI, FIRST FEMALE PRIEST IN THE ANGLICAN COMMUNION

THE FEAST OF SAINT ANGELA MERICI, FOUNDER OF THE COMPANY OF SAINT URSULA

THE FEAST OF THE MARTYRS OF PODLASIE, 1874

THE FEAST OF SAINT SURANUS OF SORA, ROMAN CATHOLIC ABBOT AND MARTYR

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Eternal God, light of the world and Creator of all that is good and lovely:

We bless your name for inspiring

Johann Sebastian Bach, Carl Philipp Emanuel Bach, and Johann Christian Bach,

and all those who with music have filled us with desire and love for you;

through Jesus Christ our Savior, who with you and the Holy Spirit

lives and reigns, one God, for ever and ever.  Amen.

1 Chronicles 29:14b-19

Psalm 90:14-17

2 Corinthians 3:1-3

John 21:15-17, 24-25

–Adapted from Holy Women, Holy Men:  Celebrating the Saints (2010), page 728

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Feast of Arcangelo Corelli (January 8)   Leave a comment

corelli

Above:  Arcangelo Corelli

Image in the Public Domain

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ARCANGELO CORELLI (FEBRUARY 17, 1653-JANUARY 8, 1713)

Roman Catholic Musician and Composer

Arcangelo Corelli glorified God with his God-given talents.

Corelli, a native of Fusignano, near Imola, the Papal States, lived in Rome for most of his life.  He moved around, but, for the majority of the time from 1675 to 1713, he was a resident of the Eternal City.  The composer, who came from a prosperous family, was among the most respected violin virtuosos of his time.  He also composed sonatas and concerti grossi (one of which was the Christmas Concerto).  His compositions influenced some other great composers, including Johann Sebastian Bach.  Our saint, a collector of violins and fine art, won the favor and patronage of monarchs, dukes, Cardinals, and Pope Alexander VIII (reigned 1689-1691).

Corelli also left a musical legacy that continues to add beauty to the world and enrich the lives of people.

KENNETH RANDOLPH TAYLOR

NOVEMBER 14, 2016 COMMON ERA

THE FEAST OF JOHN AMOS COMENIUS, FATHER OF MODERN EDUCATION

THE FEAST OF THE CONSECRATION OF SAMUEL SEABURY, FIRST EPISCOPAL BISHOP

THE FEAST OF WILLIAM ROMANIS, ANGLICAN PRIEST AND HYMN WRITER

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Eternal God, light of the world and Creator of all that is good and lovely:

We bless your name for inspiring Arcangelo Corelli and all those

who with music have filled us with desire and love for you;

through Jesus Christ our Savior, who with you and the Holy Spirit

lives and reigns, one God, for ever and ever.  Amen.

1 Chronicles 29:14b-19

Psalm 90:14-17

2 Corinthians 3:1-3

John 21:15-17, 24-25

–Adapted from Holy Women, Holy Men:  Celebrating the Saints (2010), page 728

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Feast of Frederick and William Temple (December 22)   4 comments

canterbury-cathedral

Above:  Canterbury Cathedral, 1910

Publisher and Copyright Claimant = Detroit Publishing Company

Image Source = Library of Congress

Reproduction Number = LC-DIG-det-4a24699

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FREDERICK TEMPLE (NOVEMBER 30, 1821-DECEMBER 22, 1902)

Archbishop of Canterbury

father of

WILLIAM TEMPLE (OCTOBER 15, 1881-OCTOBER 26, 1944)

Archbishop of Canterbury

His feast transferred from November 6

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So let us set ourselves to gain a deepening loyalty to our Anglican tradition of Catholic order, Evangelical immediacy in our approach to God, and liberal acceptance of new truth made known to us; and let us at the same time join with all our fellow Christians who will join with us in bearing witness to the claim of Christ to rule in every department of human life, and to the principles of His Kingdom.

–William Temple, April 17, 1942; quoted in Lee W. Gibbs, The Middle Way:  Voices of Anglicanism (Cincinnati, OH:  Forward Movement Publications, 1991), page 130

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The standard feast day of William Temple is November 6.  To the best of my knowledge, no ecclesiastical body lists his father, Frederick Temple, on its calendar of saints.  On this, my Ecumenical Calendar of Saints’ Days and Holy Days, however, the two Archbishop Temples share a feast day–December 22.

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frederick-temple

Above:  Frederick Temple

Image in the Public Domain

Frederick Temple was an educator, an educational reformer, a theologian, and a minister.  He, born on November 30, 1821, debuted at Leukas (a.k.a. Santa Maura), the Ionian Islands, off the coast of Greece.  His father, Major Octavius Temple (1784-1834) was there on imperial assignment.  Our saint’s mother was Dorcas Carveth (born in 1805).  He was one of five children.  The family relocated to Corfu in 1828.  Then, in 1833, Octavius became the Lieutenant Governor of Sierra Leone, serving until he died the following year.

The death of Octavius left the family impoverished.  Frederick studied at Blundell’s School, Devonshire, from 1834 to 1839.  Then, from 1839 to 1842, he attended Baillol College, Oxford, on scholarship, studying mechanics and the classics.  He encountered Tractarians there and found himself more liberal than they were.  From 1842 to 1848 our saint worked as a lecturer then a fellow at Baillol College.  Along the way he became an Anglican deacon (1846) then priest (1847).

Frederick left Oxford in 1848.  Until 1850 he worked at the Education Office.  Then, from 1850 to 1855, he was the Principal of Kneller Hall, a training college for teachers at workhouses.  Next (until 1857) our saint inspected training colleges.  From 1857 to 1869, as the Headmaster of Rugby School, expanded the curriculum, presided over new construction, and functioned as a good example to everyone.  On the side, from 1864 to 1867, Frederick served on the Schools Enquiry Commission.

Frederick contributed an essay, The Education of the World,” to Essays and Reviews (1860), a liberal Anglican manifesto.  The volume proved to be controversial, partially because all seven authors favored freedom of inquiry in religion.  In our saint’s case, his argument irked many people and led to allegations to heresy.  He wrote of the parallels of human life (obedience during childhood, example during adolescence, and responsible freedom during adulthood) to three religious stages (the Law, the Gospels, and Pentecost).  In the last phase, Frederick wrote, humankind must be free to make decisions while drawing from all worthy sources, mainly the Bible.  Some critics accused our saint of being unduly optimistic regarding human nature and of ignoring sin and redemption.  In response to the controversy he authorized the omission of his essay from subsequent editions of Essays and Reviews.

Our saint became the Bishop of Exeter in 1869 and served until 1885.  Frederick encouraged secondary education.  he also worked hard to implement the Elementary Education Act of 1870, which expanded the reach of elementary school access and improved attendance.  Also during his tenure Frederick oversaw the creation of the Diocese of Truro from his diocese.  And, on October 15, 1881, our saint and his wife, Beatrice Blanche Lascelles, welcomed their second son, William, into the world.

During his time as Bishop of Exeter our saint published The Relations Between Religion and Science (1884).  He accepted both science and religion, acknowledging the reality of Evolution.  He had already covered much of that material in a sermon, The Present Relation of Science to Religion (1860).

From 1885 to 1896 Frederick was the Bishop of London.  During that time he advised the Archbishop of Canterbury, his friend, Edward White Benson, whom he succeeded in 1897.  When our saint became the Primate he was already going blind.  Yet he labored faithfully, attempting to settle ritualistic controversies and refuting the Papal bull (literally) regarding the invalidity of Anglican Holy Orders.  Frederick died at London on December 22, 1902.  He was 81 years old.

Another published work of our saint was “The Church’s Message to Mankind,” included in The Church’s Message to Men (1899).

Volumes about Frederick, at least in part, included the following:

  1. Archbishop Temple, Being the People’s Life of the Right Hon. and Most Rev. Frederick Temple, P.C., D.D., LL.D., Primate of All England, and Metropolitan (1903), by Charles Henry Dant;
  2. Six Great Schoolmasters (1904), by F. D. How;
  3. Memoirs of Archbishop Temple by Seven Friends (1906), edited by E. G. Sandford–Volumes I and II;
  4. Frederick Temple:  An Appreciation (1907), by E. G. Sandford, with a biographical introduction by William Temple; and
  5. The Exeter Episcopate of Archbishop Temple, 1869-1885 (1907), by E. G. Sandford.

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william-temple

Above:  William Temple

Image in the Public Domain

William Temple entered the world on October 15, 1881, when his father, then the Bishop of Exeter, was 60 years old.  Young William grew up in a financially comfortable and artistically rich family.  When his father was the Bishop of London our saint learned to play the piano and the organ.  He also attempted to learn to play the oboe and the French horn and came to consider Johann Sebastian Bach to be

the supreme master  who more than any other enables us for a few moments snatched from the passage of time to enter upon the experience of eternity.

–Quoted in Lee W. Gibbs, The Middle Way:  Voices of Anglicanism (1991), page 114

The bookworm suffered from various illnesses, such as gout, throughout his life.  He, like his father, had eye-related problems; William became blind in one eye, due to a cataract, in 1921.

William was also a natural intellectual.  He, educated at Rugby School (1894-1900) and Baillol College, Oxford (1900-1904), was a fellow and lecturer in philosophy at Queen’s College, Oxford, from 1904 to 1910.  Ordained to the diaconate in December 1909 and the priesthood in December 1910, our saint served as the Headmaster of Repton School, Derbyshire, from 1910 to 1914.

The priesthood had once been far from William’s mind, but it was his vocation.  Allegations of heresy had delayed his Holy Orders, but our saint became a simultaneously relatively orthodox and heterodox figure after his ordination.  The Incarnation occupied the center of his theology.  The Incarnation, William argued, had made the universe sacramental.  This understanding informed our saint’s opinion that one cannot properly divorce Christian doctrine from social justice.  Thus he served as the President of the Workers’ Educational Association from 1908 to 1924 and joined the Labour Party.  Christian disunity weakened the witness of the Church in the world, William knew.  Therefore he supported ecumenism in general and the Life and Work Movement (1925f) and the Faith and Order Movement (1927f), predecessors of the World Council of Churches (1948), in particular.  Our saint also favored the process that led to the formation of the Church of South India (1947).  William also supported the ordination of women to the diaconate and the priesthood as early as 1916, but struggled with the fact that the ordination of women at that time would become an obstacle to ecumenism.

William entered full-time ministry in 1914.  That year he became the Rector of St. James’ Church, Picadilly, London.  On the side he also served as honorary chaplain to King George V and to Randall Davidson, the Archbishop of Canterbury.  In 1916 our saint married Frances Anson; the couple had no children.  From 1919 to 1921 William was Canon of Westminster.  Next he served as the Bishop of Manchester (thereby becoming a successor of James Prince Lee) for eight years.  As the Bishop of Manchester our saint offended cotton magnates by seeking to resolve a general strike peacefully in 1926.  From 1929 to 1942 he was the Archbishop of York.  Then he succeeded Cosmo Lang as the Archbishop of Canterbury.

William was perhaps the most renowned Archbishop of Canterbury since the English Reformation.  He exercised the duties of the office during difficult times–World War II.  Our saint advocated for aid to Jews fleeing the Nazis, visited soldiers and sailors, broadcast sermons to soldiers and sailors, led prayer services at factories, preached on Sundays when Germans were bombing, and supported a negotiated settlement to the war.  He had to travel to and from his final public appearances in an ambulance and had to stand on one foot while speaking.

Wiliam died at Westgate-on-Sea, Kent, on October 26, 1944.  He was 63 years old.  Reinhold Niebuhr reflected:

Dr. Temple was able to relate “religious insights and social order” more vitally and creatively than any other modern Christian leader.

–Quoted in Lee W. Gibbs, The Middle Way:  Voices of Anglicanism (1991), page 113

Major published works by our saint included the following:

  1. The Nature of Personality:  A Course of Lectures (1911);
  2. “The Divinity of Christ” and “The Church” in Foundations:  A Statement of Christian Belief in Terms of Modern Thought (1913);
  3. The Faith and Modern Thought:  Six Lectures (1913);
  4. Christianity and War (1914);
  5. Theology:  The Science of Religion (1914);
  6. Studies in the Spirit and Truth of Christianity (1914);
  7. Our Need of a Catholic Church (1915);
  8. Church and Nation (1915);
  9. Plato and Christianity (1916);
  10. Mens Creatrix:  An Essay (1917);
  11. The Universality of Christ:  A Course of Lectures (1921);
  12. Life of Bishop Percival (1921);
  13. Christus Veritas (1924);
  14. Personal Religion and the Life of Fellowship (1926);
  15. Christianity and the State (1928);
  16. Nature, Man, and God (1934);
  17. Readings in St. John’s Gospel (1939 and 1940); and
  18. Christianity and the Social Order (1942).

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Understanding Frederick Temple increases one’s comprehension for his famous son.  The apple, I contend, did not fall far from the tree.  Although William Temple overshadows his father, nobody should minimize the importance of the elder.

As both Temples understood well, an excessively personalized Christianity divorced from social justice is heretical.  They were good Anglicans and therefore men rooted in the Incarnation of the Second Person of the Trinity as Jesus of Nazareth.  As I have learned, the Anglican emphasis on the Incarnation (as opposed to the Lutheran emphasis on the crucifixion) lends itself to reading John 1:1-18, especially the part about God dwelling among us, and seeking to serve God in those around us.  This point of view has led to ecclesiastical involvement in social justice movements.  This has always been orthodox; turning away from the mandate to love one’s neighbor as one loves oneself has always been heretical.

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KENNETH RANDOLPH TAYLOR

NOVEMBER 8, 2016 COMMON ERA

THE FEAST OF JOHN CASPAR MATTES, U.S. LUTHERAN MINISTER AND LITURGIST

THE FEAST OF JOHANN VON STAUPITZ, MARTIN LUTHER’S SPIRITUAL MENTOR

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Almighty God, we praise you for your servants Frederick Temple and William Temple,

through whom you have called the church to its tasks and renewed its life..

Raise up in our own day teachers and prophets inspired by your Spirit,

whose voices will give strength to your church and proclaim the reality of your reign,

through Jesus Christ, our Savior and Lord, who lives and reigns

with you and the Holy Spirit, one God, now and forever.  Amen.

Jeremiah 1:4-10

Psalm 46

1 Corinthians 3:11-23

Mark 10:35-45

–Adapted from Evangelical Lutheran Worship (2006), page 60

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Feast of Giovanni Gabrieli, Hans Leo Hassler, Claudio Monteverdi, and Heinrich Schutz (November 6)   6 comments

Flag of the Most Serene Republic of Venice

Above:  Flag of the Most Serene Republic of Venice

Image in the Public Domain

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GIOVANNI GABRIELI (1557-AUGUST 12, 1612)

Composer and Organist

teacher of

HANS LEO HASSLER (BAPTIZED OCTOBER 26, 1564-AUGUST 19, 1612)

Composer and Organist

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CLAUDIO MONTEVERDI (BAPTIZED MAY 15, 1567-NOVEMBER 29, 1643)

Composer and Musician

teacher of

HEINRICH SCHUTZ (OCTOBER 8/18, 1585-NOVEMBER 6, 1672)

Composer and Musician

Lutheran Feast Day = July 28

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With this post I add four composers of church music to my Ecumenical Calendar of Saints’ Days and Holy Days.  Classical music is my favorite genre of audio input.  For most of my life I have derived much spiritual benefit from classical church music, including certain works by some of these four composers.

Giovanni Gabrieli, born in Venice, the Most Serene Republic of Venice, in 1557, was a nephew of Andrea Gabrieli (circa 1520-1586), a composer and organist.  Andrea, famous for his madrigals and sacred works, served as the second organist (1566-1585) then primary composer (1585-1586) at St. Mark’s Basilica, Venice.  Giovanni, who studied music under the direction of his uncle, succeeded him as the second organist (in 1585) and as primary composer (in 1586), holding both posts for the rest of his life.  In 1584 and 1585 Giovanni and his uncle taught Hans Leo Hassler (1564-1612).  The younger Gabrieli also befriended Hassler.  Giovanni, whose major works include the Sacre Symphoniae, composed the first truly orchestral sacred music, with spatially separated choirs, intended for performance at St. Mark’s Basilica.  He also edited and preserved many of his uncle’s compositions.  Giovanni, ill for the last six years of his life, died at Venice on August 12, 1612.  He was 54 or 55 years old.

Hans Leo Hassler, baptized at Nuremberg, on October 26, 1564, became the most German composer of his time.  His father and first music teacher was Isaak Hassler (died in 1591), an organist.  Hans studied music with the Gabrielis in Venice in 1584 and 1585.  Back in Germany, Hans became the organist to the Fugger family, bankers in Augsburg.  Holy Roman Emperor Rudolf II (reigned 1576-1612) made the composer a nobleman in 1591.  Nine years later Hassler became the director of music for the city of Augsburg.  The following year he transferred to Nuremberg, to fill a similar position.  Finally, in 1608, Hassler became the organist to Christian II (reigned 1591-1611), the Elector of Saxony.  The composer stayed on in that capacity in the service of Elector Johann Georg I (reigned 1611-1656).  Our saint, a Lutheran, composed madrigals as well as sacred music in both the Roman Catholic and Protestant traditions.  He died of tuberculosis at Frankfurt on August 19, 1612.  He was 47 years old.

Claudio Monteverdi, baptized on May 15, 1567, at Cremona, Duchy of Milan (now Cremona, Lombardy, Italy), became an influential composer.  He studied music under Mark Antonio Ingegneri (circa 1545-1592), choirmaster at the Cathedral of the Assumption of the Blessed Virgin Mary.  In 1590 Monteverdi became a string player in the service of Vincenzo I (reigned 1587-1612), Duke of Mantua.  The composer and the duke traveled to Hungary in 1595 and the Low Countries in 1599.  Also in 1599, Monteverdi married Claudia Cattaneo (died in 1607), a singer.  They had two sons and a daughter.  One son became a Carmelite friar and a chorister at St. Mark’s Basilica, Venice.  The other son, a doctor, became a target of the Inquisition in 1627.  Fortunately, the Inquisition acquitted him of charges of heresy the following year.  Duke Vincenzo I promoted Monteverdi to the post of director of music at the ducal court.  In 1612, however, Duke Francesco IV (reigned in 1612), citing the necessity of budget cuts, terminated Monteverdi’s employment.  The composer served as choir master at St. Mark’s Basilica, Venice, from 1613 to 1643 (his death), becoming a priest in 1632.

Monteverdi was an influential composer during his lifetime and afterward.  He composed madrigals, motets, operas, and sacred music.  L’Orfeo (1607) has become the oldest opera still performed.  The music to some of his operas has not survived, unfortunately.  Monteverdi also wrote settings of the Mass and of vespers.  Especially notable was Vespro della Beata Vergine (1610), dedicated to Pope Paul V (reigned 1605-1621).

Monteverdi led a frequently unhappy life yet he composed much fairly light music.  That life, the last few years of which he spent in illness, ended at Venice on November 29, 1643.  He was 76 years old.

The birth date of Heinrich Schutz was October 8, 1585 on the Julian Calendar and October 18, 1585, on the Gregorian Calendar.  The site of that debut was Kostritz, Thuringia.  He became the greatest German composer prior to Johann Sebastian Bach (1685-1750).  The son of Euphrosyne Bieger and Christoph Schutz (the manager of an inn) became a chorister at Kassel, under the patronage of Maurice the Learned (reigned 1592-1627), the Landgrave of Hesse-Kessel.  Schutz studied law at the University of Marburg in 1608 and 1609.  Then, in 1609-1612, he, financed by Maurice the Learned, studied music at Venice, where Giovanni Gabrieli was his teacher.  Schutz studied law at Leipzig, starting in 1613, but accepted Maurice’s offer to become the second organist at the court at Hesse.

Starting in 1614, Schutz began to work primarily for the Electors of Saxony, starting with Johann Georg I (reigned 1611-1656).  The composer began by supervising the music of the baptism of Johann Georg’s son.  Next Schutz went to work in the electoral chapel at Dresden.  In 1619 he married Magdalene Wildeck.  The couple had two daughters.  In 1628 Schutz visited Venice, where he studied under Claudio Monteverdi.  Then he returned to Dresden and the electoral court, but left after three years, due to the combination of plague and the ravages of the Thirty Years’ War (1618-1648).  In 1633-1635 Schutz served as the kappelmeister at the Danish royal court when Christian IV (reigned 1588-1648) was the sovereign.  Then the composer returned to the electoral court at Dresden, where he remained for the rest of his life, despite his expressed wishes to leave.  Schutz died after a stroke, on November 6, 1672.  He was 87 years old.

Schutz left and impressive musical legacy, including madrigals, sacred works, and operas.  Daphne (1627) was the first German opera.  The score has become lost to history, unfortunately.  He also composed a German requiem mass, Musikalische Exequien (1636).  Other sacred works included a Christmas oratorio (1664) and settings of the Passion narratives from the Gospels of Matthew, Luke, and John.

These composers left a living legacy, one which a person can access via technology easily and legally.  Doing so will prove spiritually beneficial to he or she who really listens to those works and inwardly digests them.

KENNETH RANDOLPH TAYLOR

AUGUST 12, 2016 COMMON ERA

THE FEAST OF THADDEUS STEVENS, U.S. ABOLITIONIST, CONGRESSMAN, AND WITNESS FOR CIVIL RIGHTS

THE FEAST OF SARAH FLOWER ADAMS, ENGLISH UNITARIAN HYMN WRITER; AND HER SISTER, ELIZA FLOWER, ENGLISH UNITARIAN COMPOSER

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Almighty God, beautiful in majesty, majestic in holiness:

You have shown us the splendor of creation in the work of your servants

Giovanni Gabrielli, Hans Leo Hassler, Claudio Monteverdi, and Heinrich Schutz.

Teach us to drive from the world all chaos and disorder, that our eyes may behold your glory,

and that at last everyone may know the inexhaustible richness of our new creation in Jesus Christ

our Lord, who lives and reigns with you and the Holy Spirit, one God, now and forever.  Amen.

Isaiah 28:5-6 or Hosea 14:5-8 or 2 Chronicles 20:20-21

Psalm 96

Philippians 4:8-9 or Ephesians 18b-20

Matthew 13:44-52

–Adapted from Evangelical Lutheran Worship (2006), page 61

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