Archive for the ‘Pier Paolo Pasolini’ Tag

Spiritual Life and Cinema   1 comment

Above:  A Screen Capture from Bicycle Thieves (1948)

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I am preparing to start my fourth year as the person who chooses films for the Spiritual Life Movie Series at my parish, St. Gregory the Great Episcopal Church, Athens, Georgia.  On the last Friday of each month, from January to October, I screen a film.  Others set up the equipment, arrange the chairs, and bring the refreshments.  My selections range from classics, such as Citizen Kane (1941) and Pier Paolo Pasolini’s revolutionary The Gospel According to St. Matthew (1964), the latter of which Spanish Fascist dictator Francisco Franco banned for its apparently leftist politics, to more recent works, such as Away from Her (2006)Second Best (1994), and Doubt (2008).  I program an occasional documentary, such as The Overnighters (2014).  Quality is of the essence.  Toward that end I avoid openly evangelical films, which hold no appeal to me.  Art, however, fascinates me.  At least one spiritual theme is mandatory, however.  Regardless of my great affection for the 1937 version of The Prisoner of Zenda (the one remade as The Androids of Tara during the Key to Time season (1978-1979) of Doctor Who), I cannot find a spiritual lesson in that classic movie.

That I find myself doing this monthly task (1) makes sense, (2) contributes to the life of the parish, (3) fulfills a need I have to share great movies, and (4) confirms that I am at the right place at the right time.  I recall feeling out-of-place in many of the congregations in which I worshiped prior to August 2005, when I arrived in Athens, Georgia, and transferred to St. Gregory the Great Church.  I cannot imagine screening movies of my liking at any of the previous churches–certainly not in the rural United Methodist churches in which my father served.  Now I rejoice to have become integrated into the parish to which I have belonged for more than 12 years.

The first movie of the 2018 season (my fourth year) will be Bicycle Thieves (1948), a film also known in English as The Bicycle Thief.  The haunting masterpiece, superficially about the search for a stolen bicycle, a vehicle essential for one man to work, and therefore to feed and clothe his family in post-World War II Rome, Italy, is really about what happens to the father and his young son along the way.  This choice is consistent with my appetite for Italian art movies.  A good story can teach a spiritual lesson or a set of lessons without becoming preachy.  Wonderful cinematography accompanying that story adds to one’s experience of art.

As long as I have this opportunity to direct this series of movie screenings, I intend to (1) enjoy doing so and (2) do my best.

KENNETH RANDOLPH TAYLOR

JANUARY 2, 2018 COMMON ERA

THE NINTH DAY OF CHRISTMAS

THE FEAST OF JOHANN KONRAD WILHELM LOEHE, BAVARIAN LUTHERAN MINISTER AND COORDINATOR OF DOMESTIC AND FOREIGN MISSIONS

THE FEAST OF SAINTS NARCISSUS, ARGEUS, AND MARCELLINUS OF TOMI, ROMAN MARTYRS

THE FEAST OF SAINT ODILO OF CLUNY, ROMAN CATHOLIC ABBOT

THE FEAST OF SABINE BARING-GOULD, ANGLICAN PRIEST AND HYMN WRITER

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