Archive for the ‘Starhunter 2300’ Tag

Frozen/Frozen (Redux)   4 comments

Above:  Dr. Devon with Ryan, His Son

A Screen Capture

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SEASON 1, EPISODE 7

MAIN CAST

Michael Paré as Dante Montana

Claudette Roche as Lucretia “Luc” Scott

Tanya Allen as Percy Montana

Murray Melvin as Caravaggio (the ship’s AI)

Stephen Marcus as Rudolpho DeLuna

SUPPORTING CAST

Yves Beneyton as Dr. Devon

Kai King as Billy Tsunami

Philippe Simon as Etienne

Matthew Crabbe as Ryan

Debiiey Dunn as Qunita

J. Michael Boudreault as Zakal

Sheldon Gordon as Raider #1

Meredith Vuchnich as Tracey

Barbara Longaphieas as Luc’s Mother

BEHIND THE CAMERAS

Director = François Basset

Writer = Lorne Wise

Composer = Donald Quan

Length of the original episode = 0:47:23

Length of the Redux episode = 0:44:05

GENERAL COMMENTS ABOUT THE EPISODE

Above:  Dr. Devon

A Screen Capture

  1. Meredith Vuchnich is an actress, screenwriter, producer, and director.
  2. This episode is one of Matthew Crabbe’s two credits at the Internet Movie Database.  The other credit is Episode #15, Dark and Stormy Night, which incorporates clips from various episodes, including this one.
  3. One theme of this episode is the sacrifices fathers make for their sons.  Rudolpho’s opening transmission, omitted from the Redux version, fits into this theme; he recalls sacrifices his frequently absent father, the member of a crew of space ship, made for the family.
  4. Another theme of this episode is forgetting and remembering parents from whom one has been parted for a long time.  Ryan does not remember his father at the beginning of the episode, but calls him father at the end.  A Raider tells Dante that Travis (Dante’s son) has forgotten him (Dante).  Yet a Raider captured on board the Transutopian says that he remembers his mother.
  5. The Raiders are despicable for more than one reason.  The kidnapping of children is one of these reasons.
  6. Etienne (last seen in Family Values) is back.  He provides much of the comic relief in this episode.
  7. Billy Tsunami, Percy’s favorite singer, is back, too.  We last saw him in Siren’s Song.
  8. Luc, referring to the Omega 47 virus, refers back to Siren’s Song.
  9. I enjoy continuity from one episode to another.
  10. Dante feels guilty for failing to protect Travis from the Raiders.
  11. Dr. Devon feels guilty for failing to protect Ryan from the Orchard and the Raiders.
  12. A Raider double agent betrayed Ryan to the Raiders.
  13. Dr. Devon’s wife, Tracey, died after giving birth to their son, Ryan, born with a rare brain disorder.  Dr. Devon, a specialist in pediatric research, tried to cure his son.  The Orchard financed his research, which resulted in “an electromagnetically altered genetic cocktail.”  The cocktail transformed Ryan into a boy who, while seemingly asleep yet really in a trance, unconsciously manipulated the magnetic fields of nearby people, accessed their memories, and caused them to see and hear illusions.  The Orchard kidnapped Ryan and told Dr. Devon that the boy was dead.  Dr. Devon rescued his son, stole a small transport ferry, and set out, with a squadron of Raiders in pursuit.  There was also an Orchard vessel, which never intercepted the Transutopian, which rescued Dr. Devon and Ryan.
  14. Dr. Devon accurately describes the Orchard as “the bastards” who finished what he started.
  15. Etienne pretends to be infatuated with Luc and to love women.  He tells Luc that, if any woman could make him “jump ship,” she could, though.
  16. Ryan’s condition causes Dr. Devon to see Tracey (his late wife), Dante to see Travis, Luc to see her mother, Percy to see herself, and Etienne to see Luc.
  17. After Raiders board the Transutopian to seize Ryan, he causes them to see the illusion of a shuttle departing the former luxury liner.  The Raider squadron pursues the illusion.
  18. Etienne works for the Orchard.
  19. Luc, who also works for the Orchard, ensures that Dr. Devon and Ryan can settle on Titan, a moon of Saturn, and begin a new life.
  20. Titan has been free of Raiders for years.
  21. Dr. Devon’s most ardent desire is to be a good father.
  22. This episode tells us that Dante used to be a corn farmer on Titan.
  23. Percy is 18 years old, according to G. Philip Jackson, who should know, given that he was one of the creators of the series.
  24. Percy is cute and not intimidating when she orders Etienne to surrender to her authority.

REGARDING YEARS IN STARHUNTER (ORIGINAL) AND IN STARHUNTER REDUX

Frozen 07

Above:  Luc

A Screen Capture

  1. In both the original and Redux versions of this episode, Dante gave the date of the abduction of Travis Montana as November 2, 2264, from Titan.
  2. In the original version of the first season, the current year in The Divinity Cluster is 2275.  This is consistent with the abduction having occurred ten years prior.  Most people do not speak of the past in precise terms.  “Ten years ago” can mean ten years, two months, and seven days, for example.  It can also men nine years, eleven months, and ten days, for example.
  3. In the Redux version of The Divinity Cluster, the current year is 2285.  This change helps to reconcile the dates in the (first) two seasons.    Season Two was originally Starhunter 2300, set about fifteen years after the first season.
  4. Series co-creator S. Philip Jackson has written to me.  He has informed that the 2285 is indeed the correct year in The Divinity Cluster, and that the abduction of Travis was in 2275.  (It could have been in November 2274, I suppose.)
  5. I detect a contradiction between the audio in a scene and information from a co-creator of the series.  I believe the latter.
  6. Given Dante’s mention of 2264, even in the Redux version of this episode, I have a question about the timing of the Callistian Civil War of 2254-2257, mentioned in The Man Who Sold the World.  I wonder if the civil war could have spanned 2264-2267 in the Redux chronology instead.  Advancing the timeline by a decade seems to be normative.

Next:  Past Lives, with the Orchard, more skullduggery, and Eric, Luc’s former husband.

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Family Values/Family Values (Redux)   8 comments

Above:  Jeb with Dante Montana

A Screen Capture

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SEASON 1, EPISODE 3

MAIN CAST

Michael Paré as Dante Montana

Claudette Roche as Lucretia “Luc” Scott

Tanya Allen as Percy Montana

Murray Melvin as Caravaggio (the ship’s AI)

Stephen Marcus as Rudolpho DeLuna

SUPPORTING CAST

Heidi von Palleske/Heather Belle-Matmor as Penny Montana

Philippe Simon as Etienne

George Harris as Darius Scott

Joseph Clark as Brad

Marc Belliveau as Telus

Denis Theriault as Jeb/Vincent Taylor

Cavanaugh Matmor as Baby Travis Montana

Paula Dawson as Cynical Onlooker

BEHIND THE CAMERAS

Director = Henri Safran

Writer = Nelu Ghiran

Composer = Donald Quan

Length of the original episode = 0:47:23

Length of the Redux episode = 0:44:06

GENERAL COMMENTS ABOUT THE EPISODE

Above:  Dante and Vincent, in a wonderful scene

A Screen Capture

  1. The Redux version of this episode incorporates nearly all of Rudolpho’s opening transmission.  In the original version, the transmission is distinct from the rest of the episode.  In the Redux version, however, we see the transmission broadcast throughout the Transutopian.  Rudolpho, between laughs, philosophizes about families as sources of both hope and pain.  The Redux version of the episode omits the end of the transmission, in which he brags about an imminent sexual encounter.
  2. The special effects of the surface of Mars, of outer space, and of virtual reality are better in the Redux version.
  3. The heart of this episode is character, however.  Let us not be so superficial as to focus on style over substance.
  4. VR Penny is the downloaded soul of Penny, as we learn in a subsequent episode.
  5. Virtual reality Penny is breaking down after a decade.
  6. Penny Montana was a scientist.  As we learn in a future episode, Dante was a farmer on Titan.
  7. After nearly a century of terraforming and colonization, Mars remains a “dump.”
  8. Dante knows that Luc has a secret agenda, that she is not merely someone Rudolpho sent to keep Dante on task.  Luc tells Dante that she has not secret agenda, though.
  9. Etienne and Brad are partners in life and in grifting.
  10. Etienne takes pride in his crime.  He objects strenuously when learning that his reputation is that of a minor criminal.
  11. Brad is a walking negative stereotype of a homosexual.
  12. The bickering of Etienne and Brad provides comic relief.
  13. Percy tells Caravaggio that she has never been to Earth.  An observant person may recall that she was aboard the Transutopian in The Divinity Cluster (1.1) when the ship flew over New Los Angeles.  Percy did not walk on the surface of the planet, though.
  14. Percy has a fine sense of sarcasm.
  15. Dante has arrested Etienne four times.
  16. Cortex moderation, first degree, is an alternative to arrest in this case.  This alternative renders the subject a “drooling idiot” for a year.
  17. Luc is a veteran of military special forces.
  18. Mars is supposedly clear of Raiders.
  19. The origin of the Raiders:  Military leaders experimented on some soldiers, rendering them sterile.  So Raiders increase their numbers via abduction.  One may wonder though, how long these experiments have continued, given the existence of Raiders for generations.
  20. Somehow the forced crash of the first Raider vessel on Mars killed Brad.
  21. Denis Theriault, who played Jeb, the Raider boy, was 14 years old.
  22. The Transutopian, far past its prime, is full of obsolete technology.
  23. Percy encounters VR Penny via Dante’s virtual reality headset.
  24. Dante thinks that Jeb is Travis.  Jeb is actually Vincent Taylor, abducted from his family on Oberon nine years prior.  Vincent gets to go home.
  25. Darius Scott is all business with his daughter.
  26. Weight limits on the shuttle prevent Etienne from going with Dante and Luc when they decide to take Jeb with them back to the Transutopian.
  27. Etienne distracts Raiders with shell game con while Dante, Luc, and Jeb get away.
  28. In the sweet closing of the episode, Vincent, afraid on the way home, sits next to Dante as both of them gaze into outer space and Dante helps the boy to feel less afraid.
  29. Etienne escapes, to appear in another episode.

Next episode:  Siren’s Song, which has never made any sense to me.

KENNETH RANDOLPH TAYLOR

OCTOBER 15, 2019 COMMON ERA

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The Divinity Cluster/The Divinity Cluster (Redux)   12 comments

Above:  Tanya Allen as Percy Montana

A Screen Capture

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SEASON 1, EPISODE 1

MAIN CAST

Michael Paré as Dante Montana

Claudette Roche as Lucretia “Luc” Scott

Tanya Allen as Percy Montana

Murray Melvin as Caravaggio (the ship’s AI)

Stephen Marcus as Rudolpho DeLuna

SUPPORTING CAST

George Harris as Darius Scott

Mark Powley as Eccleston

Ron Donachie as MacDuff

Charlotte Weston as Pacquette

Helen Latham as Lily

David McAlister as Professor Renfrew

Nikki Grosse as Carmel

Anette Shaffer as Lapis

David C. Wade as Middle-Aged Man #1

Richard H. Wade as Middle-Aged Man #2

BEHIND THE CAMERAS

Director = Patrick Malakian

Writer = Nelu Ghiran

Composer = Donald Quan

Composers = The Insects (Bob Locke and Tim Norfolk)

Length of the original episode = 0:47:23

Length of the Redux episode = 0:44:08

FORMATTING CHANGES FROM THE ORIGINAL VERSIONS OF STARHUNTER TO STARHUNTER REDUX

FORMAT OF AN ORIGINAL EPISODE

Opening credits

Opening transmission from Rudolpho DeLuna

Story

Closing Credits

FORMAT OF A REDUX EPISODE

Teaser

Opening credits

Story

Preview of the next episode

Closing credits

REGARDING THE OPENING TRANSMISSIONS FROM RUDOLPHO DELUNA (FIRST SEASON ONLY)

Each first-season episode of Starhunter opened with a transmission from Rudolpho DeLuna, the owner of the Transutopian (the Tulip).  The recipient of this transmission was frequently uncertain, but the transmission usually provided an exposition dump, frequently with some levity.  This was nice, given the dourness of Dante Montana.  One learned that Rudolph enjoyed the pleasures of life, often to excess, and not always for his own good.

These opening transmissions, mostly absent from Starhunter Redux, were frequently absent from syndicated broadcasts of the original Starhunter years ago.  Cutting these segments allowed for selling more advertisements.

Above:  Rudolpho and His Big Sandwich

A Screen Capture

RUDOLPHO’S OPENING TRANSMISSION FROM THE DIVINITY CLUSTER (ABSENT FROM THE REDUX VERSION)

You see, it’s like this; I run a good operation–not the best, but not the worst.  But it’s a hard business I’m in–long hours, low cash flow, high risk, ungrateful employees.  But nobody said I had to be in the bounty hunter business.  Nobody put a gun to my head.

Well, actually, that did happen once.  I was at some lowlife Martian bar.  These drunk terraforming engineers thought I–I–had improperly touched this cute little hydraulics expert.  Which, of course, I had.  Later that night, it was nothing but improperly touching till the sun rose in that pink Martian sky.  No, don’t get me started talking about my love life.  You won’t have the stomach for it.  Believe me, I barely do.

But, if I have learned anything in this sorry life, it’s that nothing ever is what it first seems.  It doesn’t matter if it’s tracking down or bringing in the scum of the solar system or trying to mend a broken heart by falling into the arms of the first little cupcake that comes your way.  Uncertainty rules everywhere, friend, but the mysteries out there pale in comparison to the mystery that is about to explode in all of us.

GENERAL COMMENTS ABOUT THE EPISODE

Divinity Cluster 09

Above:  George Harris as Darius Scott

A Screen Capture

  1. Rudolpho lives on and works from the Moon.
  2. The ship is the Transutopian.  In Starhunter 2300 and Starhunter Redux, the name on the vessel is “TRANSUTOPIA CRUISE SHIP HHS,” with most letters faded.  On the original version of the ship, the name is “TULIP.”  The interior of the Transutopian includes a tulip motif.
  3. As far as I can tell after consulting science websites, the continental arrangement for Earth three million years ago is accurate.  Also, hominids existed at that time.  This was apparently before the emergence of Australopichecus africanus.
  4. The current year in the original episode is 2275.  The current year in the Redux episode is 2285.  That change helps to synchronize this season with the second season/series, Starhunter 2300.
  5. The most obvious differences between the original and Redux versions of this episode are special effects; the new effects are better.  Now Eccleston’s eyes glow green when he is under the influence of the Divinity Cluster.  The screen on the tracker Pacquette gave MacDuff to locate Eccleston is different.  Some backgrounds and foregrounds are more detailed.  New Los Angeles looks better.  We see the domes on the Moon.  Some of the members of the Orchard attend the meeting via holograms in the Redux version.
  6. The Orchard, with a few exceptions, is an organization of amoral men and women.  Some members have a sense of right and wrong, but others are quite willing to betray each other and to sacrifice the lives of innocents casually.  The vain quest to control the Divinity Cluster and to guide human destiny is the ultimate goal.  Darius, one of the more sympathetic members of the Orchard, is slightly less Machiavellian than his peers.
  7. Eccleston discovered the Divinity Cluster (four genes) three years prior to the episode.  This detail seems to contradict certain subsequent episodes.  However, we of the audience learn that the term “Divinity Cluster” did not exist back then, before this episode.  One may harmonize the seeming contradiction somewhat by asserting that the discovery of the Cluster resulted from decades of work.
  8. George Harris, who portrays Darius Scott, has gravitas to spare.  The combination of his voice, posture, and acting with his eyes is always impressive.  Darius, one of the more sympathetic Orchard characters, is a recurring character during the first season.
  9. The new effect of a holographic tree turning above a table in the middle of the Orchard conference room is a nice touch.
  10. The “killer earthquake of ’56” devastated Los Angeles.  New Los Angeles is next to old Los Angeles.  Given the addition of a decade to background dates (such as 2275 becoming 2285), I suppose the earthquake occurred in 2266 instead.
  11. The dry dock at the Moon looks different in the original and Redux versions of the episode.
  12. The new effects for the alien vessel from three million years ago are quite lovely.
  13. If this episode had a movie rating, that rating would be PG-13.  However, most of those elements could be absent and the plot of the episode would lose nothing.
  14. Eccleston enjoys the company of women.  At the end of the episode, when he leaves this dimension, those pleasures cease to be an option for him.
  15. The Divinity Cluster sets up the series well.  We learn of Dante’s single-minded search for his son, Travis.  We of the audience also learn of what Dante and Percy do not know yet–the Divinity Cluster.  These two plot threads merge later in the first season.
  16. Percy has been stuck aboard the Transutopian too long.   She is brilliant, but not well-adjusted.
  17. Earth is a polluted wasteland in the late twenty-third century.  Most of the human race lives elsewhere in the solar system, but a few million people remain on the home planet and work to restore it.  As the season progresses, we learn of various federations (Mars, Jupiter, and Saturn) in the solar system.
  18. Last night, when I watched both versions of the episode simultaneously, I kept having to synchronize a scene in the original version to its counterpart in the Redux version.  Seldom did synchronization within a scene translate into the continuation of synchronization for long.  The editing of the original version into the Redux version started with the cutting of Rudolpho’s opening transmission and continued with a few brief cuts and addition of new effects throughout the episode.  Pauses became shorter, I noticed.
  19. Darius tells Luc that a human being has 100,986 genes.  According to the Human Genome Project (1990-2003), that number is actually about 30,000.
  20. Lily to the unfortunate Dr. Renfrew:  “You will not suppress the Divinity Cluster.”
  21. Rudolph to Dante:  “Relativity is a damned lousy excuse for not paying your bills.”
  22. Eccleston cured MacDuff’s brain tumor with neuronanoprobes.
  23. Dante harbors suspicions regarding Luc.
  24. Luc has Eccleston’s injector.
  25. MacDuff has magnificent eyebrows.
  26. Eccleston is alive in another dimension at the end of the episode.

Next:  Trust, an episode in which the Divinity Cluster is not a plot point.  Percy is prominent, though.  That is always good.

KENNETH RANDOLPH TAYLOR

OCTOBER 9, 2019 COMMON ERA

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Starhunter/Starhunter 2300 and Starhunter Redux: Opening and Closing Credits   Leave a comment

Above:  The Title Card from Starhunter (2000-2001)

A Screen Capture

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I’m a bounty hunter, but that’s just something that I do.  I’m looking for something that was stolen from me.  Ten years ago, they took my son.  As I search there are signs that something is happening, that humanity is about to change.  But I won’t be distracted.  How do you find one small boy in a lawless universe?  I’m not sure, but I have to keep trying.

BACKGROUND

Starhunter (2000-2001) and Starhunter 2300 (2003-2004) have become some of my favorite viewing.  In fact, I have written an episode guide to the series.  That episode guide is available at this weblog.   That is old news from 2010 and 2011.  This post exists and at least 44 other posts will exist because of Starhunter Redux (2017), available via Amazon Prime.

I have had some difficulty finding much background information about Starhunter and Starhunter 2300, for they seem to be cult series.  I have, however, learned that series creators Daniel D’Or and G. Philip Jackson had some “creative” differences with executives.  I wrote “creative” in quotation marks because I do not assume that executives necessarily possess creativity.

As I have written in my episode guide, the visual differences between Starhunter and Starhunter 2300 are impossible to miss.  The same space station looks quite different in each season.  The exterior of the Transutopian (the Tulip) is quite different in each season, and the bridge area seems to have gone through a renovation while in hyperspace for 15 years.  (The steps off the break room/dining area, absent in Starhunter, are impossible to miss in Starhunter 2300.  Also, some windows are different, with different sometimes meaning present.   Furthermore, the exteriors and interiors of shuttlecrafts and the shuttle bay are different.)  In Starhunter Redux, however, the visual design of Starhunter 2300 takes over in the altered versions of first season episodes, except in the bridge area and the interiors of shuttlecrafts.  The two series/seasons feel cohesive, mostly.

Above:  The Transutopian, from Starhunter (2000-2001)

Screen Captures

Above:  The Transutopian, from Starhunter 2300 and Starhunter Redux

Screen Captures

I prefer the original appearance of the Transutopian, given the backstory that the vessel is a former luxury liner long since relegated to a junkyard and converted into a bounty hunting ship.  The unused sections of the ship that lack a hull help to sell that backstory.

I plan to write a series of posts comparing the original and altered episodes.

CREDITS

The opening credits of Starhunter (2000-2001) are here:  https://www.youtube.com/watch?v=aGbiOACX9Qw.  The narration explains the backstory:  Bounty hunter Dante Montana is really looking for his son, whom Raiders abducted some years prior.  Meanwhile, the human species is changing.  These two plot threads merge throughout that first season.

The opening credits of the first season of Starhunter Redux retain that theme yet feature a different  arrangement of it. Dante’s exposition is absent.  The visuals also differ; most scenes come from both Starhunter and Starhunter 2300, and some are new.  The opening credits of the second season of Starhunter Redux are similar to those for the first; the differences are most obvious in scenes depicting the cast.  The Starhunter 2300 theme (an arrangement of Peter Gabriel’s Darker Star) is gone.  (Darker Star does work well for a science fiction series, though.)  The opening credits for the second season of Starhunter Redux also differ from those for Starhunter 2300 in that the opening credits for Starhunter 2300 do not show the actors.

The closing credits music for Starhunter 2300 is here:  https://www.youtube.com/watch?v=1dfiJllkhaw.

A slightly extended version of the end credits music from Starhunter plays over the end credits of both seasons of Starhunter Redux.   (Start playing at about 4:29 for the original end credits music.)  Donald Quan is a talented composer.

Next in this series of posts:  Season One, Episode One:  The Divinity Cluster.

KENNETH RANDOLPH TAYLOR

OCTOBER 7, 2019 COMMON ERA

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Continuity and Canon   Leave a comment

Don’t pee on my leg and tell me it’s raining.

–Judge Judy

The overlords of Star Trek have been marketing urine as rain since 2009.  Paramount Pictures has been doing it since 2009, when, in Star Trek (2009), the sold the first moment or so of that action movie has occurring in the same universe as and about three decades prior to Star Trek (1966-1969).  Visual evidence belied that claim.  Paramount said the superficial differences were due to a “visual reboot.”  Suits at CBS have been selling the same line of dung regarding Star Trek:  Discovery (properly abbreviated as STD) since 2017.  They have also hired people who have rewritten and contradicted continuity and committed character assassination in an alleged prequel series.

Visual reboots are at least as offensive as the bad story-telling and disregard for continuity in STD.  I make a distinction between an alleged visual reboot and a remaster.  I own a blu-ray set of the original series, so I have the option of watching any episode in its original form or with the shiny new special effects.  The remastered episodes are only superficially different from the originals, for better and for worse, though.  The remastered version of Spock’s Brain looks much nicer, but it has the same script as the unaltered episode, unfortunately.  Furthermore, those who remastered the original series obviously knew it well and held it in awe.

Likewise, the remastering and alteration of Starhunter (2000-2001) and Starhunter 2300 (2003-2004) into Starhunter Redux is a labor of love and respect, with some of the original guiding hands still behind the scenes.  Starhunter Redux is a television equivalent of a director’s cut of a movie.  That is fine.  Nobody is producing a terrible and alleged prequel series to Starhunter and disrespecting continuity.

Some creators (who will remain unnamed here) of YouTube series have said that the only people who have any legitimate right to define canon are the licensed creators/owners–in this case, CBS.  Balderdash!  Or, as General McAuliffe replied to a German demand for surrender during World War II,

NUTS!

Unlike the people responsible for writing STD, I understand and respect nearly all of the previous series.  (I heap scorn upon Star Trek:  Voyager and Star Trek:  Enterprise, however.  Enterprise broke me of my habit of watching and recording every new episode.)

At least I have I my copies of actual Star Trek movies and actual Star Trek series to enjoy.

KENNETH RANDOLPH TAYLOR

MAY 7, 2019 COMMON ERA

Guide Post to Starhunter 2300 Episode Reviews   Leave a comment

rebirth-05

Tanya Allen as Percy Montana

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This post should simplify then process of navigating my episode guide.

KENNETH RANDOLPH TAYLOR

JULY 16, 2013 COMMON ERA

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Rebirth:

https://neatnik2009.wordpress.com/2011/03/04/starhunter-2300-rebirth-2003/

Star Crossed:

https://neatnik2009.wordpress.com/2011/03/14/starhunter-2300-star-crossed-2003/

Biocrime:

https://neatnik2009.wordpress.com/2011/03/23/starhunter-2300-biocrime-2003/

Chasing Janus:

https://neatnik2009.wordpress.com/2011/03/28/starhunter-2300-chasing-janus-2003/

Spaceman:

https://neatnik2009.wordpress.com/2011/03/31/starhunter-2300-spaceman-2003/

Becoming Shiva:

https://neatnik2009.wordpress.com/2011/04/01/starhunter-2300-becoming-shiva-2003/

The Third Thing:

https://neatnik2009.wordpress.com/2011/04/04/starhunter-2300-the-third-thing-2003/

Torment:

https://neatnik2009.wordpress.com/2011/04/06/starhunter-2300-torment-2003/

Painless:

https://neatnik2009.wordpress.com/2011/04/09/starhunter-2300-painless-2003/

Skin Deep:

https://neatnik2009.wordpress.com/2011/04/15/starhunter-2300-skin-deep-2003/

Supermax Redux:

https://neatnik2009.wordpress.com/2011/04/19/starhunter-2300-supermax-redux-2003/

Pandora’s Box:

https://neatnik2009.wordpress.com/2011/04/23/starhunter-2300-pandoras-box-2003/

Stitch in Time:

https://neatnik2009.wordpress.com/2011/04/24/starhunter-2300-stitch-in-time-2003/

The Prisoner:

https://neatnik2009.wordpress.com/2011/04/25/starhunter-2300-the-prisoner-2003/

Kate:

https://neatnik2009.wordpress.com/2011/04/26/starhunter-2300-kate-2004/

Rivals:

https://neatnik2009.wordpress.com/2011/04/28/starhunter-2300-rivals-2004/

The Heir and the Spare:

https://neatnik2009.wordpress.com/2011/05/01/starhunter-2300-the-heir-and-the-spare-2004/

Just Politics:

https://neatnik2009.wordpress.com/2011/05/02/starhunter-2300-just-politics-2004/

Negative Energy:

https://neatnik2009.wordpress.com/2011/05/04/starhunter-2300-negative-energy-2004/

Licence to Fill:

https://neatnik2009.wordpress.com/2011/05/05/starhunter-2300-licence-to-fill-2004/

Hyperspace I:

https://neatnik2009.wordpress.com/2011/05/06/starhunter-2300-hyperspace-i-2004/

Hyperspace II:

https://neatnik2009.wordpress.com/2011/05/06/starhunter-2300-hyperspace-ii-2004/

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Posted July 16, 2013 by neatnik2009 in Starhunter 2300 (2003-2004)

Tagged with ,

Starhunter 2300–Hyperspace II (2004)   1 comment

The Transutopian Entering Hyperspace

EPISODE #22

Here we have it, fellow Starhunter 2300 fans.  We have arrived at the final episode.  It has been a good ride, one that suits decided would end prematurely.  But may we dwell on the positive, enjoying what we have.

The Transutopian in Hyperspace

It is interesting that hyperspace resembles billowing clouds when a person enters it but looks like the picture above when a ship does.  O well, this is another mystery of the Starhunter/Starhunter 2300 multiverse.

Anyhow, the Tulip has entered hyperspace by means of a warp bubble around the ship.  You cannot see the warp bubble, but it is there.

On board the ship are three separate and overlapping warp bubbles, each one of which is phase-shifted on the light spectrum.

Percy

Percy is in the blue one,…

Marcus

…Marcus is in the pink one,…

Rudolpho

…and Rudolpho is in the green one.

There are some similarities, however.  Neither one of them contains Travis, Dr. Xeylon, Caravaggio, the horizon generator, or the people in the other two phase-shifted warp bubbles.  Also, the ship risks disintegrating in hyperspace in all three phase-shifted warp bubbles.

Tristan Catchpole

And Tristan Catchpole jumps from one warp bubble to the other in search of the horizon generator.

Travis and Dr. Xeylon

Meanwhile, Travis and Dr. Xeylon are off the ship and in hyperspace.  Here Travis takes a crucial emotional journey.  Dr. Xeylon explains that he must activate the second Divinity Cluster gene fully to save Callie’s life.  This, in turn, requires him to experience his emotions fully and control them, not to suppress them, as he has done for so long.  So the captain needs to admit his love for Callie and release his guilt over her death, as well as to forgive his mother for her experiments, which have given him such strong Divinity Cluster genes, before he can travel back in time and save the life of the woman he loves.  He struggles with this while his crew mates try to save the ship.

The three on-ship warp bubbles exist because of an error in calibration and mass at the point of departure into hyperspace.  There was an Orchard ship almost on top of the Tulip at the time, so that fact explains the error.  Percy, Rudolpho, and Marcus realize what has happened and how to restore unity to the phasing on the ship and act accordingly.

Together Again

They succeed.  Now they can try to save the ship.  They need to drop out of hyperspace, but Catchpole makes that more difficult than it would be otherwise.

Catchpole

He steals the horizon generator and disappears from the Tulip.

Back on Mars, Murchison praises Catchpole for retrieving the horizon generator.

Murchison’s Murder

But Catchpole and Roone murder Murchison and announce to the shocked board members that the new agenda of the Orchard is facilitate the resurrection (in human beings) of the aliens who implanted the Divinity Cluster in our ancestors three million years ago.  The ability to take a ship into hyperspace has been a milestone achievement, one that marks the readiness of people to become one with the aliens.  Presumably Catchpole and Roone persuade the other board members, given the very recent murder in the board room.

Elsewhere, Travis finally succeeds in his mission, changing history and saving Callie’s life.

Callie

So Callie reappears on the Tulip Bridge, as if she had been there all along.  Nobody remembers her having died.  Travis and Dr. Xeylon return almost immediately.

The ship has seven minutes left then…boom.   So everybody gets to work.  Dr. Xeylon thinks of an untested way to try to leave hyperspace without the horizon generator.

The End?

The plan is ready when there are just a few seconds left and the warp bubble around the ship collapses.

We do not know what happens next because of decisions certain people higher up the food chain than actors made.  Will Travis and Callie have a second chance at love?  Will anybody die?  Will the Orchard pursue its perfidious course unchecked?  Your guess is as good as mine.

Here ends our Starhunter 2300 journey.  Thank you for taking it with me.

KENNETH RANDOLPH TAYLOR

MAY 6, 2011 COMMON ERA

I took the screen caps via the PowerDVD program.  As always, I encourage the viewing of Starhunter and Starhunter 2300 episodes exclusively by methods consistent with United States copyright laws.